After their father's death, three brothers and one sister got together to find out how much money they would inherit from their father's two billion won estate.

Love and passion, anger and heartbreak, laughter and happiness, all complex textures woven into the fabric so many have come to know as marriage. For behind the seemingly comfortable well-trimmed hedges of suburban Americana, live and often love, Richard and Joan Maple. Adapted from a series of stories appearing in the New Yorker Magazine over a period of twenty three years by Pulitzer Prize winning author John Updike ("The Witches of Eastwick", "Rabbit Run"), "Too Far To Go" garnered overwhelming critical praise in its theatrical debut. With its exceptional cast, this film envelops us in a poignant, sometimes funny, sometimes exasperating journey through this most important relationship.

A jealous dance mom takes extreme measures to ensure her daughter wins a scholarship to an exclusive dance academy. But the victim's mother will do whatever necessary to protect her own daughter from the rival mom's evil scheme.

Caught between a lost-love story and inescapable paranoia, "Go/Don't Go" is a genre-bending slow-burn thriller that follows Adam, a wallflower who happens to be the last person left alive--or so he thinks.

In 1950s, Chinese Civil War ends with the defeat of Republic of China and the establishment of Communist China. The 93rd Division's soldiers take their families with them, exit southwestern China and enter northern Burma (Myanmar). The hike through forest is full of disasters and short of supplies, but the survivors reach and settle within border of Burma. They build a village, and ally with local armed gang to resist Burmese government's attacks. Later, the relocated government of Republic of China offers to take the soldiers and dependents to Taiwan, but some are disappointed with the government and decide to stay.

Devastated by his daughter's death in a terrible accident, Ben becomes convinced that he can bring her back through a recurring dream. But is it just a dream? Or is Ben losing his mind?

After dying in the act of stopping a crime in modern Japan, our hero is reincarnated as Cain von Silford, third son of a noble family in a world of swords and sorcery. In his new life, all children receive a blessing from the gods...but Cain is unexpectedly blessed with an absolutely enormous, over-the-top cornucopia of magical powers. If his dream of traveling the world as a free spirit is to come true, he can't reveal too much of his potential to the wrong people. A light-hearted, escapist adventure in another world begins!

Did Nick Ray leave Hollywood, or did Hollywood leave him? What was he up to when he returned to the States after a decade in Europe? What was his intention with We Can’t Go Home Again, that experimental film he made with a bunch of college students? What was he doing with so many images on the screen all at once? How did he do it? Why was the film never finished? Did he lose his way, his talent, his sanity, his common sense? Don’t Expect Too Much, a feature-length documentary helmed by Ray’s wife Susan, investigates these questions and the relationship forged by Ray between his life and his art. Drawing on the director’s archive of never-before-seen film, video and stills, Susan finds answers to our questions about Nick Ray in Nick Ray’s own words and images. And we learn from interviews with members of the original crew of We Can’t Go Home Again, directors Jim Jarmusch and Victor Erice, and others, how this man lived, saw, learned and taught, how he fought and danced with his demons, how he loved.

Did Nick Ray leave Hollywood, or did Hollywood leave him? What was he up to when he returned to the States after a decade in Europe? What was his intention with We Can’t Go Home Again, that experimental film he made with a bunch of college students? What was he doing with so many images on the screen all at once? How did he do it? Why was the film never finished? Did he lose his way, his talent, his sanity, his common sense? Don’t Expect Too Much, a feature-length documentary helmed by Ray’s wife Susan, investigates these questions and the relationship forged by Ray between his life and his art. Drawing on the director’s archive of never-before-seen film, video and stills, Susan finds answers to our questions about Nick Ray in Nick Ray’s own words and images. And we learn from interviews with members of the original crew of We Can’t Go Home Again, directors Jim Jarmusch and Victor Erice, and others, how this man lived, saw, learned and taught, how he fought and danced with his demons, how he loved.

Depicts the story of a female protagonist who calmly practices scrutiny when faced with a moment when it is necessary in daily life, but for some reason shrinks in front of love.